A Critical Analysis of The Great Gatsby

The beginning of the 20th century was marked with substantial changes including the industrial revolution, WWI and the bit-by-bit diversification of example views as opposed to the uniformity imposed by the clericalism that had dominated the American caller from its c one timeption.The dynamically changing morality first and foremost touched the new bourgeoisie, or the class of hatful who made their fortunes rapidly and became wealthy at relatively young age.com/cumulative-exam/The Great Gatsby is a famous fiction by American germ F. Scott Fitzgerald. The action takes place on Long Island and in New York urban center in the 1920s era. The characters of the drama are mostly wealthy, yet young people, going through the gunpoint of the inner morality reformation.The literary work depicts the stable upper-middle class of the 1920s, who used to live in the due west ball district of Long Island. Contemporary New York City lured people with its countless opportunities to realize o neself and advance ones material well-being Nick Carraway, a Yale graduate, is not an exception. He is flexible and happy enough and thus moves to New York for the purpose of learning and working in bond trade.Furtherto a greater extent, hes originally solvent enough to afford a flat in the fashionable West Egg district My family have been prominent, well-to-do people in this middle-western city for three generations. The Carraways are something of a kin group and we have a tradition that were descended from the Dukes of Buccleuch (Fitzgerald, 4).Upon the arrival to New York, Nick soon gets attracted to the fun-driven lifestyle, implying noisy give awayies, fainthearted flirt and false, theatrical love. The family of his cousin Daisy, who lives not far from Nick, is equally wealthy and aristocratic her husband turkey cock graduated from a prestigious university and runs a successful business. Daisy is a beautiful, but excessively materialistic woman, who once had a romantic a ffair with Gatsby, but soon rejected him because of his allegedly questionable ability to issue for the future family.Instead, she accepted Toms proposal and selected confidence in the tomorrows sidereal day as opposed to the strong, barely controllable emotions she had for Gatsby (Milford, 69). The protagonist of the novel, Jay Gatsby, stands to certain degree apart from the lawful third-generation businessmen he is on friendly terms with. Gatsby is a descendant of a poor family, but, owing to his need for learning, he manages to enter St. Olafs College, which he, however, soon leaves because of the despair, associated with his janitors job (Turnbull, 122).Driven by his love for Daisy, he fanatically seeks ways of becoming rich and even dares break the law and engages with criminal business. However, the protagonist remains heartfelt in his attitude towards people and seems extremely kind, generous and broad-minded person It was one of those rare smiles with a quality of eterna l reassurance in it that you come across four or five times in life his face believed in you as you would like to believe in yourself (Fitzgerald, 52-53).As one can assume, wealth, as implied in the American Dream, contingently popular among the middle-class population, is one of the major themes of the literary work The Great Gatsby is a highly symbolic meditation on 1920s America as a whole, in particular the disintegration of the American dream in the era of unprecedented successfulness and material excess (Bruccoli, 73).Wealth, or, more precisely, its lack, becomes the major reason for the destruction of the beautiful fairy tale romance between Gatsby and Daisy. Financial prosperity is also the main factor motivating Toms extramarital lover, Myrtle, for seeing the man on the regular basis. Finally, money becomes a catalyst of Gatsbys tragic outcome of being slaughtered after victorious Daisys blame for the accident with Myrtle (Bruccoli, 79 Lehan, 211).When approaching the the me of wealth from an alternative perspective, it is practical to notice The Great Gatsby contains a comprehensive overview of the sociology of upper-middle class and pertly minted rich businessmen. In particular, the western part of the district is inhabited by newly rich, whereas the denizens of East Egg represent nobility and aristocracy Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste.Gatsby, for example, lives in a monstrously flowery mansion, wears a pink suit, drives a Rolls-Royce, and does not pick up on subtle social signals, such as the insincerity of the Sloans invitation to lunch (Lehan, 215).At the same time, aristocratic circles are depicted as mannequins, whose public bearing rarely reflects their true beliefs and attitudes. For instance, Tom is unfaithful in his relationship with wife and starts an affair with a woman, whose footing is far from aristocratic and who lives in a poor neighborhood.Wealth is also close-knit with the theme of moral freedom, which causes the moral degradation of the top society (Lehan, 233). The Buchanans are literally heartless instead of attending Gatsbys funeral and demonstrating their treasure for everything the dead made for safeguarding Daisys reputation, they simply change the place of residence and distance themselves from the tragedy some(prenominal) physically and psychologically.Even Gatsby, the most authentic and open-minded person in the novel, seems adversely affected by his wealth and sinks in the marsh of criminal affairs increasingly deeper so that even his surroundings learn astir(predicate) his illegal alcohol business and murders he committed.Therefore, by describing the wealthy New York City communities of the 1920s, Fitzgerald prominently illustrates the cast out impact of excessive prosperity on human value system and intrinsic ethical principles. The author also proves that money provides great freedom, but really few people are psychologically fain to accept and successfully manage it.Works citedBruccoli, A. New Essays on The Great Gatsby. New York Cambridge University Press, 1985.Fitzgerald, F. S. The Great Gatsby. Wordsworth Editions, 1993.Lehan, R. F. Scott Fitzgeralds device of Fiction. Carbondale Southern Illinois University Press, 1966.Milford, N. Zelda. New York Harper and Row, 1970.Turnbull, A. Scott Fitzgerald. New York Charles Scribners Sons, 1962